We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Ode and Elegy

by Ode and Elegy

supported by
DJBLAKLITE
DJBLAKLITE  thumbnail
DJBLAKLITE I love this. if the mythos fragments are the Pax Cecilia's third album, I consider this the fourth.
absolutely fucking wonderous
Jordan Vauvert
Jordan Vauvert thumbnail
Jordan Vauvert Certains sont venus écouter Ode and Elegy grâce à The Pax Cecilia, projet parent inactif depuis 2007, j'ai pour ma part découvert ce groupe totalement par hasard en fouillant ce qui était populaire sur Bandcamp. Je suis venu parce que ça mentionnait du doom metal, mais vous allez voir que c'est bien plus que ça. À la croisée des chemins, entre néo-classique, post-doom et folk, cet album n'est pas une ode d'un côté, une élégie de l'autre : c'est les deux en même temps et c'est extraordinaire !
MrJ.
MrJ. thumbnail
MrJ. La réincarnation de The Pax Cecilia...15 ans plus tard. Inespéré.
more... more...
/
  • Streaming + Download

    Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
    Purchasable with gift card

      name your price

     

  • Compact Disc (CD) + Digital Album

    Lyrics and art are included within the small hardcover book package. Available for the cost of shipping. Limit 2 per customer, please.

    Includes unlimited streaming of Ode and Elegy via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days

      $1 USD or more 

     

1.
ODE AND ELEGY The song rose first from whispers, then a prayer, then a poem. In our toil were we alone, in our loves would we fall. Join voice in this long song, whose end outlasts us all. I. The heron watches from riverborn lake two bodies wreathed in flame - sunlight shuddering on hidden places, on partners-in-trembling. This old heart makes one plea, “Go there”. This old heart pleads “Go there, go there” endlessly. The water flows forth again, rivergone. The heron takes wing, blots the sun. And memory, it’s all elegy - an ode that’s buried deep and come too late. II. Our gardens sown in rows - petals pulled apart were hearts unready for the light, buds unfurled before their time. O, the flowering, the overflowing. With names so strong they hid the fear of what is nameless, we, two free cowards in blooming day, wasted it away - the vast moment, the small lives, of those that will not love like that again. Upon a lonely, tumbling stone that longs to fall into the sun but circles it instead, worships it instead. III. Hazelight looms and through a window dimming there stands a silhouette of feathers bringing night upon it. Go there, go there. You are kind, constellations, to remind there may be patterns through distance and patterns in time - It’s those tapestries we reckon, those we conceive through thought or thread or fraying light, though god is the black between. And god trades only in dust. IV. Roused from this, my last bed, the shape of vacancy at center. This, the betrayal of every yearning heart - the world as we remember. I heed the nightmare’s cry curving up that throat. Old wings spread to dusk-held sky, migrations come when seasons go. And one lover, bare feet on black earth follows the other - tending every root they withered, prayers pulled ever from tired tongue. Every gentle moment a cascade, o memory, cruel and alive. Find the path, though choked, trust the stars through ash and smoke. Will our wounds on this earth yet close? Will our wounds on this earth be closed? V. Our world is dressed in dust, in centuries lost. Our woes, all our woes, we sing now the long song. No ode can be spoken, no tapestry woven, nothing sown in a dry desert sea. Gray, crossed limbs cling to their dead, never budding again, never budding again. Tread on the backs of brothers, feast on the hearts of sisters, carve the mountains down to thrones. No ode can be spoken with the names of what we’ve known. In furrows fallow, husks of home, in every wind through ruin whistle, every desert made by war, we’d seen the hourglass. We’d seen the sands amass. VI. But behold, before me is green! The flowering, the overflowing, grasses growing wild over graves. And one lover, returned to black earth, is followed by the other. Who tears roots from ground, who curls horizons into tunnels, whose howls echo on tumbling stone. Where unlight gathers. Unname me, unbathe me, at long last we shall let the earth take its prey. Flesh falls free, sinew loses hold. Without body do we unfold. Hearts that are ready now for the horror will transform. The tapestry torn, all the heavens come spilling through. VII. A garden, once made, will change beyond its keeping. No thing woven will hold against time. This elegy, o, cruel and alive, hold all our cries. All our cries - a song, longer than any end, brings us to creation. But as breaths slow in tandem by a living river, a still lake, the song, it slips from hearing. A heron, from oblivion calls out. A final lovetorn note, herald only of the silence to come.

about

mournful and ecstatic, grim and sublime. a 55-minute through-composed sound journey of chamber folk, doom metal, and neoclassical music.

(compact disc version in hardcover-bound book available for the price of shipping at www.odeandelegy.com )

credits

released February 1, 2022

CREDITS
Kent Fairman Wilson
Harold Taddy
Reilly Solomon Taylor-Cook: bass guitar writing/performance
Chris McCune: drum writing/performance
Gregory Austin: drum writing/performance
Alice Roberts: harp writing/performance

Laurels String Quartet: string performance
Sofia Session Orchestra: brass performance
Sofia Session Choir: choral performance
Stefano Fasce: flute performance

bass/drum recording by Sean Cho at Plus Minus Recordings
guitar/synth recording by D. James Goodwin at The Isokon
string recording by Miles Hanson at Creation Audio
brass and choir recording by Four for Music

mixed and mastered by D. James Goodwin
produced by Kent Fairman Wilson, Harold Taddy, and D. James Goodwin

cover art by Adrian Baxter

www.odeandelegy.com

license

tags

about

Ode and Elegy Parma, New York

we sing now the long song.

contact / help

Contact Ode and Elegy

Streaming and
Download help

Redeem code

Report this album or account

Ode and Elegy recommends:

If you like Ode and Elegy, you may also like: